Karen Knorr, an award winning artist, considers her tour of India in 2008 as a life changing journey. During the period of 2008 to 2012, she started exploring Rajput and Mughal cultural heritage, stories of northern India, focusing on Rajasthan using sacred and secular sites to consider caste, femininity and its relationship to the animal world.
The Witness, Humayun’s Tomb, Delhi
Her series named, “India Song”, features exotic animals in the elegant rooms of palaces and cultural sites throughout Rajasthan. The footnote eloquently describes the series,
“Cranes, zebus, langurs, tigers and elephants mutate from princely pets to avatars of past feminine historic characters, blurring boundaries between reality and illusion and reinventing the Panchatantra for the 21st century”
The Queen’s Room, Zenana, Udaipur
Flight to Freedom, Juna Mahal, Dungarpur 
The Gatekeeper, Samode Palace, Samode
 Waiting for Atman, Junagarh Fort, Bikaner
 The Sound of Rain, Junagarh Fort, Bikaner
 The Private Audience, Aam Khas, Juna Mahal, Dungarpur
 The Conqueror of the World, Podar Haveli, Nawalgarh
 The Messenger, Purana Qila, Delhi
 The Avatars of Devi, Samode Palace, Samode
 A Place like Amravati, Udaipur City Palace, Udaipur
 The Maharaja’s Apartment, Udaipur City Palace, Udaipur
 The Survivors, Deogarh Palace, Deogarh
 Disccussions Concerning Rasa, Mehrangarh Fort, Jodhpur
 The Joy Of Ahimsa, Takhat Vilas, Mehrangarh Fort, Jodhpur
 The Return of the Hunter, Jaipur Palace, Jaipur
 The Inheritor, Moti Mahal, Mehrangarh Fort, Jodhpur
 Durga’s Mount, Juna Mahal, Dungarpur
 Bhakti, Path of Sants, Shiva Temple, Hampi
 Attaining Moksha, Ajanta Caves, Ajanta
 Becoming Arihanta, Sahastrabahu Temple, Gwalior
 The Palaiyakkarars, Hazarama Temple, Hampi
To know more about Karen and follow her work, you may find her on Facebook, Twitter or check out her official website.