Photojournalist Gets Slammed For Putting Fake Food Before Real, Starving Indians For Pictures

It’s an unspoken fact that if you want to show poverty and starvation, grab your camera and head straight for Africa or India. As Indians, we’ve somewhat grudgingly learnt to accept this reality. But the West’s obsession with ‘poverty porn’ is insatiable. And what do you know, we’ve learnt to digest that as well! But then something happens that crosses all boundaries of sensitivity and dignity, we realise, enough is enough. As in this case of a photo series by the World Press Photo Foundation.

An award-winning Italian photojournalist, Alessio Mamo, recently took over World Press Photo’s Instagram account and posted one of his photo series about starvation and poverty in India, called ‘Dreaming Food’.

These photographs are from Uttar Pradesh and Madhya Pradesh two of the poorest states of India. From the series "Dreaming Food", a conceptual project about hunger issue in India. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ My name is Alessio Mamo (@alessio_mamo) an Italian freelance photographer based in Catania, Sicily. In 2008 I began my career in photojournalism focusing on contemporary social, political and economic issues. I extensively cover issues related to refugee displacement and migration starting in Sicily, and extending most recently to the Middle East. I was awarded 2nd prize in the People Singles category of #WPPh2018 and this week I’m taking over World Press Photo's Instagram account. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Despite economic growth, a majority of the Indian population still lives in extreme poverty and disease. Behind India’s new-found economic strength are 300 million poor people who live on less than $1 per day. Government figures may indicate a reduction in poverty. But the truth is, with increasing global food prices, poverty is spreading everywhere like a swarm of locusts. These pictures are taken in rural areas where conditions are worse than in the cities and where close to 70% of India’s population reside today. Statistics show that 2.1 million children under 5 years old die of malnutrition annually. The idea of this project was born after reading the statistics of how much food is thrown away in the West, especially during Christmas time. I brought with me a table and some fake food, and I told people to dream about some food that they would like to find on their table. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ #WPPh2018#asia #dreamingfood #india

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However, if you read the caption, you’d realise that while the models are real, starving people from Uttar Pradesh, the photojournalist has insensitively put plates of fake food in front of them for the pictures.

Mamo writes in the caption,

“I brought with me a table and some fake food, and I told people to dream about some food that they would like to find on their table.”

If you find something glaringly wrong and tactless with this photo setting, congratulations, your humanity is indeed intact. As for the photojournalist who shot these, the jury is still out on that. And might I add, the jury is very, very angry.

The comments on the Instagram post were seething with anger and outrage over this insensitive exploitation of poverty and starvation.

People criticised not just Mamo but also World Press Photo for permitting such pictures to be showcased on its platform.

Twitter too was flooded with criticism for the photo series which seems to have taken ‘poverty porn’ to a whole new low.

Appalling!

Exploitation and cruelty at its finest.

Tasteless and crass….

Journalism with no moral compass!

How about taking pictures of food wastage in the West instead?

One journalist called for the boycott of World Press Photo for allowing this.

Some suggested that while World Press Photo Org already lacked editorial integrity, this was a new low for them…

Shame!

Vile poverty porn project!

In light of the criticism that they received, the World Press Photo issued an official statement ‘clarifying’ their take on the entire incident.

They maintained that they’ve provided strict guidelines for photographers who take over their account. They even clarified that this particular photo series had not won any awards from them. It was another photo that Alessio Mamo shared before this one that had won the award.

However, their stance seems quite clear considering the post is still up on their social media profile.

There’s no two ways about this topic. The fact remains that the concept of this photo series is point blank insensitive. Poverty and starvation are harsh realities of India and have often been depicted so in films, documentaries and photojournalism. However, there’s clearly an unacceptable exploitation in this particular case, pushing the limits too far in the name of creativity.

As one of the Instagram comments pointed out….

Point made.